Wednesday, March 31, 2010
Here's Uncle Henry working up to his annual Christmas rendition of Basin Street Blues.
Basin Street ... is the street
Where all the white and dark folk meet
New Orleans ... land of dreams
You'll never miss them rice and beans
Way down south in New Orleans
Except all Uncle Henry recalls of the lyric is a little Louis Armstrong vocal flourish: doot de doo.
It was an ancient 78 rpm recording of the song (part of the Metung wind-up gramophone collection, long since lost) that first caught Uncle Henry's fancy. And here it is! The very record. Complete with the hot B side version. Isn't YouTube amazing? And unlike Uncle Henry, Louis Armstrong knows the words.
One of the daunting things about scanning our late father's collection of slides is not the vastness of the project (a large suitcase packed tight with mounted Kodachromes) but the prospect of what might be uncovered. Such as these shots of Simon after walking into a post on the veranda of 18 Denham Place while looking at the moon. Dad liked a complete record of his children's activities, and that included full documentation of their injuries. With pictures.
Simon's bewildered expression probably has less to do with the injury than 'Why is Daddy taking a photograph of me?'
I haven't got to the hilarious shots of me with a box thorn through my foot. Nor have I got to the end of the slides, or anywhere approaching it. However I did get to 'The END'.
Tuesday, March 30, 2010
The family ski holiday has changed since we had to walk into Mt Buller carrying our provision in disintegrating cardboard boxes to the Belmore Ski Club in the Sixties. For one thing we no longer have to go to Mt Buller. We can go to Niseko, in Japan. Which being full of cashed up Australians (yes, like us I suppose, although personally I have never dropped an empty beer can in the snow) is a little like Mt Buller, except it has snow (so much in fact that this year there was a steady stream of tip trucks removing it from the town) and it's in Japan. So instead of disgusting chips from Cloud Nine at Falls Creek, we enjoyed delicious bowls of ramen. And instead of scraping over icy rocks we were in powder snow above our knees.
So much, in fact, that Annie lost her ski and spent a considerable period of time searching for it, before it came to light.
But something about it makes me uneasy. It's all so 21st Century. So much money. So much fuel to power the jets (so reasonably priced in a post Global Financial Crisis travel world) to get us there and back. And all too easy. Somehow I do have a certain nostalgia for the hard days at Mt Buller, where men were men, and rode the rope tow up the Bull Run,
and didn't have to buy day tickets for their children, or $600 parkas, or even skis (Dad made ours), and where women (mothers at least) prudently stayed at home.
Then again, Mt Buller was never like this.
Thursday, March 25, 2010
Thanks to Hank Williams and Bob Dylan for the chirpy soundtrack, a much better choice after Across the Universe was blocked.
Wednesday, March 24, 2010
After decades of prosperity and growth, my entire lifetime really, the Global Financial Crisis brought world economies to a shuddering halt.
And for a moment it looked like old fashioned values such as thrift, saving for a rainy day and the importance of the long-term view were no longer seen as over-cautious or obsolete. Suddenly, it seemed, they were back in vogue. 'Saving is the new spending' is the line one silly TV commercial is still rather feebly pushing on Victorian TV.
But of course that moment of discomfort has passed. A mere blip. Now the Australian government has restarted the motor with billions of dollars, and sales of jet skis, European cars, smart apartments and holidays to Bali are reassuringly restored to their previously buoyant level. Austerity, which briefly appeared no longer to be a weird eccentricity, but the fashion of the moment, has gone the way of mad crazes of the past, like the hula hoop and the yo-yo.
Surely the 'economic stimulus packages' are no different to giving a gambling addict another credit card. Which of course means that next time the money runs out it's going to be worse, and it'll take more than a billion dollars worth of poorly installed installation to pull us out of it. Next time there'll be no money to restart the economy. Next time we'll be screwed. And it'll take more than a month or two of mild panic to get things going again; instead we'll find ourselves in another decades-long depression. (Or am I just being a silly old alarm-monger?)
Not that the lessons of the past were ever forgotten by our mother. Nor, indeed, her mother, or presumably her father, who lost the farm in The Great Depression. Mum knew how to cook using the cheapest cuts. (Who of her children can ever forget her tripe in white sauce?)
She regarded indulgence in pre-prepared meals or junk food as a peculiar form of madness. If something could be repaired, rather than replaced, she'd repair it. She bought a small car because it used less fuel, and hung onto it long after newer, more seductively optioned models appeared, because it still ran perfectly well. She reversed the collars on Dad's shirts when they wore out. It seems unlikely that the present senior partner of Mallesons would be attending board meetings in shirts with cunningly reversed collars. She bought cheap bars of Velvet soap and placed them on top of the refrigerator where it was warm so they'd dry out and last longer.
Since clearly it is only a matter of time before a hard rain starts to fall, we'll be taking steps to tighten our belts in this branch of the Trumble family. There'll be certain carefully applied austerity measures (which do not, at least for the present, include tripe in white sauce).
According to Wikipedia, fado (Portuguese: destiny, fate) is a music genre which can be traced from the 1820s in Portugal, but probably with much earlier origins. In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor. However, in reality fado is simply a form of song which can be about anything, but must follow a certain structure. The music is usually linked to the Portuguese word saudade which means to miss or to long for someone or something. Angus is feeling a little saudade. A little dose of calypso is probably just the thing to cheer him up.
Hamish said what a shame we no longer have any of Dad's collection of calypso recordings (all sadly destroyed in the Ash Wednesday bushfires). So I checked out Readings' world music section. Only one calypso cd. Dad would be appalled. No Fabulous McClevertys. No Calipso Carnivale. Not even any Harry Belafonte. Disappointing. However Legends of Calypso does have some old favourites, such as Harold "Digby" McNair's Zombie Jamboree, Calypso Mama's risque Don't Touch Me Tomato, Andre Toussaint's Yellow Bird, and this recording of Mighty Panther singing Barbedos Carnival. I think Dad would have approved.
Monday, March 22, 2010
What makes a Trumble a Trumble? Or, rather, what gives our particular batch of Trumble that special collection of qualities that so unmistakeably stamps us: our love of the picnic, old Citroens, beer, wooden sailing boats, vintage clothing, vegetable gardens, cane furniture, cutting edge ski technology, billy tea, scrabble, wood fires, burning off, farmhouses and, most notably, our cheerful indecision when faced with the need for decisive action? The answer lies in these photographs, recently unearthed, which cover the period 1952 to 1959.
We were so lucky. I suppose we were born into prosperous middle class circumstances, but you'd never know it. We had very few possessions. One modest car (initially the Morris Minor, a convertible no less, which was replaced by the Citroen GAY900). We each had one pair of sandals, and a pair of desert boots. No telly, even after it came in Mum regarded it as a frivolous and unnecessary irrelevance. Robust horsehair mattresses which had already seen at least a couple of generations of children. Although as you can see from the photograph above of Hamish with our Borthwick grandmother, we were allowed indulgences undreamed of in the playgrounds and kindergartens of today: war toys.
Sunday, March 21, 2010
Orie Frank ("Frankie" or "Tram") Trumbauer (May 30, 1901 – June 11, 1956) was a leading saxophone player, composer and bandleader of the Twenties and Thirties. His landmark recording of Singin' the Blues, with Bix Beiderbecke and Eddie Lang in 1927, is one of the canonical jazz performances. The same year he released this 78 recording of Trumbolgy on Okeh, also featuring Bix.
Although a Trumbauer and not a Trumble, Trumbology clearly demonstrates that Frankie had the focus, the uncompromising intensity, and the commitment of the true Trumbologist. As well, of course, as the moustache.
Thursday, March 18, 2010
Nick and Mum panning for gold, Jamieson, 1959. Clearly unsuccessful, and becoming discouraged.
Simon in the bow. Whitey (or Bluey) abandoned at Hamish's feet.